Musée d’Orsay

Edgar Degas

Degas at the Opera

Curator: Henri Loyrette, Leila Jarbouai, Marine Kisiel, Kimberly Jones (National Gallery of Art, Washington)

Throughout his entire career, from his debut in the 1860s up to his final works after 1900, the Opera formed the focal point of Degas’ output. It was his “own room”. He explored the theatre’s various spaces - auditorium and stage, boxes, foyers, and dance studios - and followed those who frequented them: dancers, singers, orchestral musicians, audience members, and black-attired subscribers lurking in the wings. This closed world presented a microcosm of infinite possibilities allowing all manner of experimentations: multiple points of view, contrasts of lighting, the study of motion and the precision of movement.

This is the first exhibition to consider the Opera as a whole, examining not only Degas’ passionate relationship with the House and his musical tastes, but also the infinite resources of this marvellous ‘toolbox’. The work of a truly great artist offers us the portrait of the Paris Opera in the 19th century.

Musée d'Orsay

From 24 September 2019 to 19 January 2020
Image for Edgar Degas
Artwork(s) loaned
  • Three nude dancers in arabesque

    Edgar Degas (1834—1917)

    Three nude dancers in arabesque circa 1892-1895
    Charcoal and fade on paper